No. 24 (2024): Between Text and Performance: Race and Gender in Contemporary Literatures

Antonella Riem, Stefano Mercanti, Maria Paola Guarducci & Adriano Elia

frontespizio e indice

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Full Issue

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Articoli

South African Past Voices and Herstories: Performances as Counter-Texts

Maria Paola Guarducci, Francesca Terrenato

30-45
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‘Exits’ and ‘Entrances’: Roger Robinson’s Poetry between Performance and Self-promotion

Adriano Elia

46-56
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A Woman Is Talking To Death: Judy Grahn and The Feminist Poetry Movement

Stefania Arcara

57-66
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Becoming a Sound Poet. Paul Dutton’s Poetry in Performance

Salvatore Marano

67-79
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From Page to Stage: Tanika Gupta’s Theatre Adaptation of Jackie Kay’s Memoir Red Dust Road

Giovanna Buonanno

80-88
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Johanna Drucker, Susan Bee, and the Performance of A Girl’s Life

Floriana Puglisi

89-102
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Recasting Slam Poetry: Busisiwe Mahlangu’s Début Poetry Collection Surviving Loss

Raphael d'Abdon

103-115
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Staging Slavery through Historiographic Metatheatre: Lorena Gale’s Angélique and Suzan-Lori Parks’s Venus

Valentina Rapetti

116-133
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A Stone Sat Still for Children’s Language and Environmental Education

Elisa Bertoldi

134-145
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Subversive Women in Salman Rushdie’s Midnight’s Children

Giovanni Ferrazzano

146-157
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Poetiche

Circling the Roundabout at Bangalow

Sue Ballyn

6-9
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Picking Every Heartbeat. A Silence Approaching Music. An Imaginary Interview with David Malouf

Antonella Riem Natale

10-17
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Lifelong Learning

Maria Bortoluzzi

18-29
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Recensioni

Econarrative. Ethics, Ecology, and the Search for New Narrative to Live, by Arran Stibbe

Maria Bortoluzzi

158-160
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A Life Uprooted: A Bengali Dalit Refugee Remembers, by Jatin Bala

Sapna Dogra

161-163
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Ritratti del tempo. Virginia Woolf e le scrittrici italiane, by Monica Farnetti

Claudia Cao

164-166
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"Before Time Was": Poetry of Francesco Benozzo, by Francesco Benozzo

Paul Kane

167-176
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