Antonella Riem, Stefano Mercanti, Maria Paola Guarducci & Adriano Elia
Sommario
Poetiche
| Circling the Roundabout at Bangalow | |
| Sue Ballyn | 6-9 |
| Picking Every Heartbeat. A Silence Approaching Music. An Imaginary Interview with David Malouf | |
| Antonella Riem Natale | 10-17 |
| Lifelong Learning | |
| Maria Bortoluzzi | 18-29 |
Articoli
| South African Past Voices and Herstories: Performances as Counter-Texts | |
| Maria Paola Guarducci, Francesca Terrenato | 30-45 |
| ‘Exits’ and ‘Entrances’: Roger Robinson’s Poetry between Performance and Self-promotion | |
| Adriano Elia | 46-56 |
| A Woman Is Talking To Death: Judy Grahn and The Feminist Poetry Movement | |
| Stefania Arcara | 57-66 |
| Becoming a Sound Poet. Paul Dutton’s Poetry in Performance | |
| Salvatore Marano | 67-79 |
| From Page to Stage: Tanika Gupta’s Theatre Adaptation of Jackie Kay’s Memoir Red Dust Road | |
| Giovanna Buonanno | 80-88 |
| Johanna Drucker, Susan Bee, and the Performance of A Girl’s Life | |
| Floriana Puglisi | 89-102 |
| Recasting Slam Poetry: Busisiwe Mahlangu’s Début Poetry Collection Surviving Loss | |
| Raphael d'Abdon | 103-115 |
| Staging Slavery through Historiographic Metatheatre: Lorena Gale’s Angélique and Suzan-Lori Parks’s Venus | |
| Valentina Rapetti | 116-133 |
| A Stone Sat Still for Children’s Language and Environmental Education | |
| Elisa Bertoldi | 134-145 |
| Subversive Women in Salman Rushdie’s Midnight’s Children | |
| Giovanni Ferrazzano | 146-157 |
Recensioni
| Econarrative. Ethics, Ecology, and the Search for New Narrative to Live, by Arran Stibbe | |
| Maria Bortoluzzi | 158-160 |
| A Life Uprooted: A Bengali Dalit Refugee Remembers, by Jatin Bala | |
| Sapna Dogra | 161-163 |
| Ritratti del tempo. Virginia Woolf e le scrittrici italiane, by Monica Farnetti | |
| Claudia Cao | 164-166 |
| "Before Time Was": Poetry of Francesco Benozzo, by Francesco Benozzo | |
| Paul Kane | 167-176 |