Le Simplegadi

Poeta e musicista di formazione jazz e blues, membro dei Four Horsemen e di CCMC di Michael Snow, performer vocale per R. Murray Schafer, nel suo lavoro di sound poet Dutton mette in scena l’identità scissa, plurale, del soggetto canadese. Nei testi per solo performance, costruisce la sua poesia sonora negli spazi interstiziali fra musica, linguistica e semantizzazione della voce, e mette alla prova i limiti del sistema fonatorio fra click, diplo- e triplofonie, versi animali, silenzio.

DOI: 10.17456/SIMPLE-226

Parole chiave: sound poetry, performance, phonotext, polyglossia, pun, identity.

Bibliografia

Auslander, Philip. 2008. Liveness. Performance in a Mediated Culture. London-New York: Routledge.

Barthes, Roland. 1970. S/Z. Essai sur “Sarrasine” d’Honoré de Balzac. Paris: Éditions du Seuil.

Barthes, Roland. 1973. Le plaisir du texte. Paris: Éditions du Seuil.

Barwin, Gary, 2015. Introduction. Paul Dutton, Sonosyntactis. Selected and New Poetry of Paul Dutton. Waterloo (ON): Wilfried Laurier University Press, xiii-xxi.

Bernstein, Charles ed. 1998. Close Listening. Poetry and the Performed Word. New York-Oxford: Oxford University Press.

Bernstein, Charles. 1998. Introduction. Charles Bernstein ed. Close Listening. Poetry and the Performed Word. New York-Oxford: Oxford University Press, 3-26.

Bernstein, Charles. 2009. Hearing Voices. Marjorie Perloff & Craig Dworkin eds. Sound Poetry and the Musical Avant-Garde: A Musicologist’s Perspective. Chicago-London: The University of Chicago Press, 142-148.

Bolter, Jay David & Richard Grusin. 1999. Remediation. Understanding New Media. Cambridge (MA): The MIT Press.

Cayley, John. 2018. Grammalepsy. Essays on Digital Language Art. New York: Bloomsbury Academic.

Derrida, Jacques. 1981 [1972]. Dissemination. London: The Athlone Press.

Dutton, Paul. 1979a. Right Hemisphere Left Ear. Toronto: The Coach House Press.

Dutton, Paul. 1979b. The Book of Numbers. Erin (ON): The Porcupine’s Quill.

Dutton, Paul. 1988. Additives. Toronto: imprimerie dromadaire.

Dutton, Paul. 1991a. Aurealities. Toronto: The Coach House Press.

Dutton, Paul. 1991b. Visionary Portraits. Stratford (ON): Mercury Press.

Dutton, Paul. 1993 [1976]. The Plastic Typewriter. London-Toronto: Writers Forum & Underwhich Editions.

Dutton, Paul. 1994a. Partial Additives. London: Writers Forum.

Dutton, Paul. 1994b. Full Throatle. Underwhich Audiographic Series.

Dutton, Paul. 2005. Oralizations. Ambiances Magnétiques Label.

Dutton, Paul. 2014. “Mercure”. Sheri-D Wilson ed. The Spoken Word Workbook. Inspiration from Poets Who Teach. Calgary: Calgary Spoken Word Society, 40.

Dutton, Paul. 2015. Sonosyntactis. Selected and New Poetry of Paul Dutton. Waterloo (ON):

Wilfried Laurier University Press.

Eco, Umberto. 1984. Semiotica e filosofia del linguaggio. Torino: Einaudi.

Glotfelty, Cheryll & Harold Fromm eds. 1996. The Ecocriticism Reader. Athens-London: The University of Georgia Press.

Khan, Douglas. 1992. Introduction: Histories of Sound Once Removed. Douglas Khan & Grigory Whitehead eds. Wireless Imagination. Sound, Radio, and the Avant-Garde. Cambridge (MA): The MIT Press, 1-29.

Khan, Douglas & Grigory Whitehead. 1992. Preface. Douglas Khan & Grigory Whitehead eds. Wireless Imagination. Sound, Radio, and the Avant-Garde. Cambridge (MA): The MIT Press, ix-xi. Kipling, Rudyard. 1902. Just So Stories. London: Macmillan & Co.

Marano, Salvatore. 2017. Au second degré. The Toronto Research Game of Literature. Salvatore Marano ed. Performance. Dal testo al gesto. Lentini: duetredue (ebook).

McCaffery, Steve. 1998. Voice in Extremis. Charles Bernstein ed. Close Listening. Poetry and the Performed Word. New York-Oxford, 162-177.

Morgenstern, Christian. 1905. Galgenlieder. Berlin: Bruno Cassirer Verlag.

Newlove, John. 1972. Lies. Toronto: McClelland & Stewart.

Nichol, bp. 1994. An H in the Heart. George Bowering & Michael Ondaatje eds. Toronto: McClelland & Stewart.

Perloff, Nancy. 2009. Sound Poetry and the Musical Avant-Garde: A Musicologist’s Perspective. Marjorie Perloff & Craig Dworkin eds. The Sound of Poetry/The Poetry of Sound. Chicago-London: The University of Chicago Press, 97-117.

Schafer, Raymond Murray. 1977. The Tuning of the World. New York: Knopf.

Schechner, Richard. 1988. Performance Theory. New York-London: Routledge.

Stewart, Garrett. 1990. Reading Voices. Literature and the Phonotext. Berkeley: University of California Press.

Williams, William Carlos. 1963 [1958]. Paterson. Harmondsworth: Penguin.

Wilson, Sheri-D ed. 2014. The Spoken Word Workbook. Inspiration from Poets Who Teach. Calgary: Calgary Spoken Word Society.

Webliografia

Berdinesen, Hein. 2018. On Ecopoetry and Ecocriticism. Philosophia, 20: 88-99, https://philosophia-bg.com/archive/philosophia-20-2018/ (consulted on 27/07/2024).

Dutton, Paul, https://www.encyclopedia.com/arts/educational-magazines/dutton-paul-1943-four-horsemen (consulted on 27/07/2024).

Dutton, Paul, https://pduttonpoetry.wordpress.com (consulted on 27/07/2024).

Merriam Webster Dictionary online, www.merriam-webster.com/dictionary/sensus (consulted on 27/07/2024).

Nyman, John. 2016. Rusty Talk with Paul Dutton. The Rusty Toque, June 16, www.therustytoque.com/rusty-talk/paul-dutton-poet (consulted on 25/07/2024).

Rowley, Mari-Lou. 2023. Interview with Paul Dutton. grain. the journal of eclectic writing, April 17, https://grainmagazine.ca/news/interview-with-paul-dutton (consulted on 25/07/2024).

Schafer, Raymond Murray. 1966-2021. Patria, www.patria.org (consulted on 27/07/2024).

Six Fillious Reading (New York, February 7, 1979) at PennSound, https://writing.upenn.edu/pennsound/x/Six-Fillious.php (consulted on 27/07/2024).

Word Aloud 6 Spoken Word Festival. Durham (ON), November 2009, http://www.youtube.com/watch?v=zCaCHyj4ozk (consulted on 27/07/2024).