Subversive Women in Salman Rushdie’s Midnight’s Children
Abstract
Discostandosi dalle prime critiche femministe che hanno etichettato l’opera di Salman Rushdie come misogina, questo articolo esamina la rappresentazione delle donne ne I figli della mezzanotte per mettere in luce come le principali protagoniste femminili rispondano in modo creativo e rimodellino le strutture sociali oppressive in cui vivono. Utilizzando il modello mutuale di Riane Eisler, l’articolo evidenzia le analogie fra il concetto indù di Shakti (potere femminile divino) e la partnership come alternativa efficace di relazione e incontro cooperativo alle norme sociali di dominio.
DOI: 10.17456/SIMPLE-232
Parole chiave: Salman Rushdie, postcolonialism, gender norms, persona, partnership/domination, Hinduism.
Bibliografia
Ahmad, Aijaz. 1991. Salman Rushdie’s Shame: Postmodernism, Migrancy and Representation of Women. Economic and Political Weekly, 26, 24: 1461-1471.
Gupta, Charu. 2001. The Icon of Mother in Late Colonial North India: ‘Bharat Mata’, ‘Matri Bhasha’ and ‘Gau Mata’. Economic and Political Weekly, 36, 45: 4291-4299.
Chatterjee, Partha. 2010. Empire and Nation: Selected Essays 1985-2005. New York City: Columbia University Press.
Cundy, Catherine. 1993. Rushdie’s Women. Wasafiri, 9, 18: 13-17.
Eisler, Riane. 1987. The Chalice and the Blade: Our History, Our Future. San Francisco: Harper & Row.
Eisler, Riane. 1996 [1995]. Sacred Pleasure. Sex, Myth and the Politics of the Body. Shaftesbury (UK): Element Books.
Eisler, Riane. 2021. Partnership and Domination Societies. Lester Kurtz ed. Encyclopedia of Violence, Peace & Conflict, https://rianeeisler.com/wp-content/uploads/2021/09/ WPPartnershipDominatorDominationSocieties.pdf (consulted on 15/09/2024).
Grant, Damian. 2012. Salman Rushdie. Horndon-Tavistock-Devon (UK): Northcote House Publishers Ltd.
Hai, Ambreen. 1999. ‘Marching in from the Peripheries’: Rushdie’s Feminized Artistry and Ambivalent Feminism. M. Keith Booker ed. Critical Essays on Salman Rushdie. New York: G. K. Hall, 16-50.
Harshananda, Swami. 2010. Hindu Gods and Goddesses. Mylapore: Sri Ramakrishna Math.
Horn, Madelaine. 2015. “Women have always been the ones to change my life”: Gendered Discourse in Salman Rushdie’s Midnight’s Children. Undergraduate Journal of Humanistic Studies, 1, 1-9.
Grewal, Inderpal. 1994. Marginality, Women and Shame. D. M. Fletcher ed. Reading Rushdie: Perspectives on the Fiction of Salman Rushdie. Amsterdam: Rodopi, 123-144.
Kinsley, David Robert. 1997. Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition. Berkeley-Los Angeles: University of California Press.
Mercanti, Stefano. 2015. Glossary for Cultural Transformation: The Language of Partnership and Domination. Interdisciplinary Journal of Partnership Studies, 1, 1: 1-35.
Mercanti, Stefano & Antonella Riem. 2022. The Gift of Partnership. Interdisciplinary Journal of Partnership Studies, 9, 2: 1-13.
Panikkar, Raimon. 2007. Lo Spirito della Parola. Torino: Bollati Boringhieri.
Price, David. 1994. Salman Rushdie’s ‘Use and Abuse of History’ in Midnight’s Children. ARIEL: A Review of International English Literature, 25, 2: 91-107.
Rajeswari, Sunder Rajan. 1993. Real and Imagined Women: Gender, Culture and Postcolonialism. London-New York: Routledge.
Rushdie, Salman. 2006. Midnight’s Children. London: Vintage Books.
Rushdie, Salman. 2010. Imaginary Homelands. London: Vintage Books.
Samarpanananda, Swami. 2010. The Tantras: An Overview. Prabuddha Bharata or Awakened India, 115, 4: 269-275.
Spivak, Gayatri Chakravorty. 1988. Can the Subaltern Speak? Cary Nelson & Larry Grossberg eds. Marxism and the Interpretation of Culture. Chicago: University of Illinois Press, 271-313.
Spivak, Gayatri Chakravorty. 1990. Reading The Satanic Verses. Third Text, 4, 11: 41-60.
Weickgenannt, Nicole. 2008. The Nation’s Monstrous Women: Wives, Widows and Witches in Salman Rushdie’s Midnight’s Children. The Journal of Commonwealth Literature, 85: 65-82.
Views: 71
Downloads: 48