Relics of Trees and Angels: J. M. Coetzee, Zbigniew Herbert, and Berlinde De Bruyckere at the Venice Biennale

Abstract

La scultrice belga Berlinde De Bruyckere esplora i corpi in stati liminali tra vita e morte, fondendo forme umane, animali e vegetali per esporre la loro condizione comune di sofferenza e decadenza. Nel 2013 ha rappresentato il Belgio alla Biennale di Venezia con Kreupelhout/Cripplewood, 2012-2013, a cura di, J. M. Coetzee. Undici anni dopo è tornata a Venezia con una mostra collaterale della Biennale 2024, City of Refuge III, un insieme di installazioni che evocano catastrofi e traumi collettivi. Adottando un approccio intermediale, questo contributo indaga le influenze letterarie alla base di queste esposizioni, mettendo in luce il ruolo ancora poco esplorato di Coetzee e di Zbigniew Herbert nella formazione dell’estetica e della visione etica di De Bruyckere.

DOI: 10.17456/SIMPLE-246

Parole chiave: Berlinde De Bruyckere, J. M. Coetzee, Zbigniew Herbert, Venice Art Biennial

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