“An inherited magical act”: collaboration in the work of contemporary Irish women poets

Autori

Megan Buckley Università Nazionale d’Irlanda (Galway)

Abstract

Critic Patricia Boyle Haberstroh writes, “The newest direction we can chart in  recent poetry is the acknowledgment of links between women poets, as contemporary poets pay tribute to those who preceded them” (Haberstroh 1996: 197). This article meditates on these “links” by addressing collaboration in the work of contemporary Irish women poets. First, it investigates theories of the nature of collaboration, specifically female collaboration; it locates the existence of an Irish female poetic tradition; and it briefly discusses the work of Irish poets Mary O’Malley and Eva Bourke.

Bibliografia

Bloom, Harold. 1975. The Anxiety of Influence: A Theory of Poetry. New York: Oxford University Press.

Boland, Eavan. 1995. Object Lessons: The Life of the Woman and the Poet In Our Time. New York: W. W. Norton.

Bourke, Eva. 1989. Litany for the Pig. Galway: Salmon. Bourke, Eva. 2000. Travels with Gandolpho. Dublin: Dedalus.

Erkkila Betsy 1992. The Wicked Sisters: Women Poets, Literary History and Discord, New York: Oxford University Press.

Freedman, Diane P. 1993. “Discourse as Power: Renouncing Denial”. In Singley and Sweeney (eds.) Anxious Power: Reading, Writing and Ambivalence in Narrative by Women, Albany: SUNY Press: 363-378.

Haberstroh, Patricia Boyle. 1996. Women Creating Women: Contemporary Irish Women Poets. Dublin: Attic Press.

Kolodny Annette 1980. “A Map for Re-Reading: Or, Gender and the Interpretation of Literary Texts”, New Literary History, 11:3, Spring: 451-467.

O’Malley, Mary. 2007. Email to the author dated Tues 30 October 2007.

O’Malley, Mary. 2001. Untitled autobiographical essay in Boyle Haberstroh P. (ed.) 2001, Myself, My Muse: Irish Women Poets Reflect on Life and Art, Syracuse: Syracuse University Press: 33-45.

O’Malley, Mary. 1997. The Knife in the Wave. Cliffs of Moher, Co. Clare: Salmon.

Paul Georgina 2007, “Ismene at the Crossroads: Gender and Poetic Influence”, German Life and Letters, 60:3, July: 430-446.

Stillinger, Jack. 1991. Multiple Authorship and the Myth of Solitary Genius. New York: Oxford University Press.

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Pubblicato

24/11/2008