The Creative Word in Atwood’s The Robber Bride: Towards New Female Identities

Maria Maddalena Lorubbio (Università di Udine)

Abstract

The Robber Bride di Margaret Atwood è un’accurata analisi delle frammentarie identità delle tre protagoniste femminili e del loro profondo desiderio di libertà e completezza. Il romanzo mette in discussione i comuni stereotipi maschilisti e la definizione patriarcale dell’identità femminile. L’esigenza delle protagoniste di trovare nuovi nomi per se stesse, nei quali identificare una parte del loro io, fa emergere con chiarezza la molteplicità della natura femminile e l’esigenza di distruggere l’inflessibile categorizzazione patriarcale del mondo, fondata, come sostiene Raimon Panikkar, sul termine scientista. La parola creatrice di Margaret Atwood delinea confini più fluidi tra i generi e nuove possibilità per le generazioni future.

Bibliografia

Atwood, Margaret. 2009. The Robber Bride. London: Virago Press.

Anshaw, Carol. 1994. Typhoid Zenia. The Womens Review of Books, 11: 4-15. Bontatibus, Donna. 1998. Reconnecting with the Past: Personal Hauntings in Margaret Atwood’s The Robber Bride. Papers on Language and Literature, 34, IV: 358-372.

Deery, June. 1997. Science for Feminists: Margaret Atwood’s Body of Knowledge. Twentieth Century Literature, 43, IV: 470-486.

Grace, Sherrill & Lorraine Weir. 1983. Margaret Atwood. Language, Text, and System. Vancouver: University of British Columbia Press.

Eisler, Riane. 1987. The Chalice and the Blade: Our History, Our Future. San Francisco: Harper & Row.

Eisler, Riane. 1995. Sacred Pleasure, Sex, Myth, and the Politics of the Body: New Paths to Power and Love. San Francisco: Harper & Row.

Hempen, Daniela. 1997. Bluebeard’s Female Helper: The Ambiguous Rôle of the Strange Old Woman in the Grimms’ “Castle of Murder” and “The Robber Bridegroom”. Folklore, 108: 45-48.

Howells, Coral Ann. 1996. Margaret Atwood. London: MacMillan Press.

Howells, Coral Ann. 2010. Margaret Atwood’s Canadian Signature: How Far is the Writer’s Reach. Anna Pia De Luca ed. Investigating Canadian Identities: 10th Anniversary Contributions. Udine: Forum, 47-59.

Hutcheon, Linda. 1988. The Canadian Postmodern. A Study of Contemporary English-Canadian Fiction. Toronto: Oxford University Press.

Irigaray, Luce. 1985. This Sex which is not One. New York: Cornell University. Panikkar, Raimon. 2007. Lo spirito della parola. Torino: Bollati Boringhieri.

Pinkola Estés, Clarissa. 1995. Women Who Run With the Wolves. Myths and Stories of the Wild Woman Archetype. New York: Ballantine Books.

Potts, Donna L. 1999. ‘The Old Maps Are Dissolving’: Intertextuality and Identity in Atwood’s The Robber Bride. Tulsa Studies in Womens Literature, 18, II: 281-298.

Rosenberg, Jerome H. 1984. Margaret Atwood. Boston: Twany Publishers. Perrakis, Phyllis Sternberg. 1997. Atwood’s The Robber Bride: The Vampire as Intersubjective Catalyst. Mosaic: a Journal for the Interdisciplinary Study of Literature, 30, III: 151-169.

Tolan, Fiona. 2005. Situating Canada: The Shifting Perspective of the Postcolonial Other in Margaret Atwood’s The Robber Bride. The American Review of Canadian Studies, 35, III: 453- 473.

Wyatt, Jean. 1998. I Want to Be You: Envy, the Lacanian Double, and Feminist Community in Margaret Atwood’s The Robber Bride. Tulsa Studies in Womens Literature, 17, I: 37-64.

Views: 842

Download PDF

Downloads: 657