Sommario
Poetiche
| Poems | |
| Andrew Taylor | 6-8 |
| Poems | |
| Lance Henson | 9-13 |
| Poesie | |
| Giuseppe Ramires | 14-16 |
Articoli
| “Something there is that doesn’t love a wall”: Collaboration and Interdisciplinarity | |
| Linda Hutcheon, Michael Hutcheon | 17-28 |
| A New Version of “The Ways on Earth” by Robert Devereux, Earl of Essex | |
| Carlo M. Bajetta | 29-36 |
| Australian Fiction and the Lure of Painting | |
| Michael Ackland | 37-50 |
| Reversing Midsummer: Alexander Ekman’s Dance-Theatre Adaptation of Shakespeare’s A Midsummer Night’s Dream | |
| Mattia Mantellato | 51-69 |
| Envelopes of Air: Poetic Correspondence as Partnership | |
| Valeria Strusi | 70-84 |
| Inclusive Artistic and Literary Narratives in Chimamanda Ngozi Adichie’s Half of a Yellow Sun | |
| Costanza Mondo | 85-95 |
| Of Rainbow and Granite: Androgynous Narrative in Virginia Woolf’s Orlando and Ali Smith’s How to Be Both | |
| Giuseppe De Riso | 96-107 |
| Il personaggio di Dr Jekyll nella serie tv Penny Dreadful: un’analisi transmediale e postcoloniale | |
| Nunzio Bellassai | 108-128 |
Interviste
| A Multimedia Artist in an Ever-changing World: An Interview with Samit Basu | |
| Elisabetta Marino | 129-134 |
Recensioni
| The Ridge and the Song. Sailing the Archipelago of Poetry, by Francesco Benozzo | |
| Coral Ann Howells | 135-137 |
| Dwelling on Grief: Narratives of Mourning Across Time and Forms, by Simona Corso, Florian Mussgnug & Jennifer Rushworth | |
| Michela Compagnoni | 138-140 |
| Neurocognitive Interpretations of Australian Literature: Criticism in the Age of Neuroawareness, by Jean-François Vernay | |
| Anne Holm | 141-144 |