Sommario
Poetiche
| When the Time Comes | |
| Antonella Riem Natale | 6-7 |
| For Veronica Brady | |
| Susan Ballyn | 8-10 |
| Seeing the World Anew: Thanks to Veronica Brady | |
| John Thieme | 11-13 |
| Poems | |
| John Stanton Davis Mellick | 14-15 |
| Five Meditations on a Moonlit Night. (I. M. Veronica Brady) | |
| Gail Jones | 16-24 |
| Poems | |
| Paolo Totaro | 25-26 |
Articoli
| “Reclaiming the Rubbish”: Outcasts, Transformation and the Topos of the Painter-Seer in the work of Patrick White and David Malouf | |
| Michael Ackland | 27-36 |
| Theodora as an Unheard Prophetess in Patrick White’s The Aunt’s Story | |
| Antonella Riem Natale | 37-49 |
| Multiple Homes and Unhomely Belonging | |
| Anne Holden Rønning | 50-60 |
| Reconciling Nature and Culture for an Eco-sustainable World: Zakes Mda’s The Heart of Redness | |
| Maria Renata Dolce | 61-73 |
| The Narrow Road to the Deep North and the De-sacralisation of the Nation | |
| Lars Jensen | 74-85 |
| Healing, Catharsis and Reconciliation: Water as Metaphor in Ghost River | |
| Adelle Sefton-Rowston | 86-94 |
| A Sacred Journey to Naples: Michelle de Kretser’s Questions of Travel | |
| Roberta Trapè | 95-117 |
| Da Things Fall Apart a Il crollo: note dall’analisi della traduzione | |
| Giulia Costanza Caterini | 118-131 |