Antonella Riem, Stefano Mercanti
Maria Paola Guarducci, Annalisa Oboe
Sommario
Articoli
| Said’s Contrapuntal Reading and the Event of Postcolonial Literature | |
| Serena Guarracino | 11-26 |
| Reading Contrapuntally Now | |
| Pier Paolo Frassinelli | 27-40 |
| Global South ‘in Theory’ and Southern Epistemology | |
| Luigi Cazzato | 41-52 |
| A Meditation on Said’s Beginnings: Reconsidering Text and Career as Sites of Power and Resistance | |
| Vincenzo Salvatore | 53-74 |
| The Place of Servants in Edward Said’s Out of Place | |
| Denise DeCaires Narain | 75-92 |
| Reading Edward Said in Myanmar: Traveling Theories after Culture and Imperialism | |
| Lars Jensen | 93-109 |
| Bodies in Transit: The Imperial Mechanism of Biopolitics | |
| Claudia Gualtieri | 110-126 |
| Postcolonial Antarctica and the Memory of the Empire of Ice | |
| Nicoletta Brazzelli | 127-141 |
| Post-Imperial Culture and its Melancholies: From Théophile Gautier’s Constantinople of To-day to Orhan Pamuk’s Istanbul. Memories of a City | |
| Norbert Bugeja | 142-165 |
| Chattering Classes/Twittering Revolutionaries: Social Media, and the Arab Spring | |
| Jhon C. Hawley | 166-184 |
| 'Overlapping Territories, Intertwined Histories’ in Postcolonial Art | |
| Michaela Quadraro | 185-200 |
| Grading Cultural Imperialism in English Language Theory and Practice | |
| Roberta Cimarosti | 201-219 |
| In Times of Peace: Negotiating the Orient in Tokyo Year Zero by David Peace | |
| Nicoletta Vallorani | 220-238 |
| Shifting Statuses and Lasting Codes in Janice Kulyk Keefer’s The Green Library | |
| Francesca Romana Paci | 239-255 |
| “Snapshots of Caliban”: Suniti Namjoshi’s ‘Contrapuntal Rewriting’ of The Tempest | |
| Stefania Basset | 256-273 |
| A Reading of the Imperial Theme in Shakespeare’s Antony and Cleopatra | |
| Edvige Pucciarelli | 274-289 |
| Yeats’ Imagined Ireland and Postcolonial Theory | |
| Fabio Luppi | 290-306 |
| Stevenson in the Pacific: A Problematic View of Cultures and Imperialisms | |
| Paola Della Valle | 307-322 |
| Irony and the Absurd in Joseph Conrad’s “An Outpost of Progress” | |
| Maria Paola Guarducci | 323-342 |