Sommario
Poetiche
Poems | |
Stanton Mellick | 6-9 |
Water is Safe in Milan | |
Franca Cavagnoli | 10-17 |
Continua, Luce | |
Nicola Gardini | 18-22 |
Poesie | |
Anselmo Roberto Paolone | 23-29 |
Articoli
“Only Sow Words”: Cheran’s A Second Sunrise as Postcolonial Autobiography | |
Isabel Alonso-Breto | 30-47 |
Voices of Reticence, Desire, and Resistance in The History of Mary Prince, A West Indian Slave Related by Herself (1831) | |
Gioia Angeletti | 48-64 |
Indigenous Activism and the Healing Power of Storytelling | |
Deborah Saidero | 65-76 |
Soil-searching: Grief and Healing in Elizabeth-Jane Burnett’s The Grassling (2019) | |
Valeria Strusi, Loredana Salis | 77-92 |
Topografie dialogiche nella narrativa di Abdulrazak Gurnah | |
Nicoletta Brazzelli | 93-104 |
Slam to Heal. A Poetic Inquiry Reflection | |
Raphael d'Abdon | 105-121 |
A Prayer for Life: Water, Art and Spirituality in T. S. Eliot’s The Waste Land | |
Mattia Mantellato | 122-140 |
Recensioni
Ecosustainable Narratives and Partnership Relationships in World Literatures in English | |
John Thieme | 141-144 |
Bangladeshi Literature in English: A Critical Anthology | |
Shah Ahmed | 145-148 |
Poeti della Marea: Canti bardici gallesi dal VI al X secolo | |
Giuseppe Serpillo | 149-152 |
Narrative Rewritings and Artistic Praxis in Derek Walcott’s Works: Caribbean Decolonisations | |
Maria Cristina Fumagalli | 153-155 |
Oltre la mappa. Lo spazio delle storie nell’immaginario moderno. Shakespeare, Beckett, Danielewski | |
Claudia Cao | 156-158 |
Eleanor Marx. Traduttrice vittoriana e militante ribelle | |
Elisabetta Marino | 159-161 |