Sommario
Poetiche
| Lockdown Beauty: Naturalist Meditations | |
| Robert Clark-Majerus | 6-9 |
| Alice’s Daughter: Co-writing for Recognition, Recovery and Reconciliation | |
| Jacki Ferro | 10-19 |
| Dystopia | |
| Patrick Early | 20-21 |
| Another Kind of Death | |
| Alessia Tamer | 22-23 |
| This Thing of Darkness I (Now) Acknowledge Mine | |
| Giovanni Verdoliva | 24-25 |
Articoli
| “The Origins of Speech Lie in Song”: Music as Language in Coetzee’s Age of Iron | |
| Gillian Dooley | 26-34 |
| Depression on a Screen. “The Love Song of J. Alfred Prufrock” in the Light of Cognitive Theories of Depression | |
| Angela Leonardi | 35-43 |
| More than Language and Literature: Postcolonial Connections and Linguistic Paradigms in Hansda Sowvendra Shekhar’s Indian English Fiction | |
| Esterino Adami | 44-54 |
| Il medico a teatro: Lucius Junius Brutus di “Mad Nat” Lee | |
| Ilaria Natali | 55-66 |
| Suspended Quotations: A Corpus Analysis of Functions | |
| Francesca Bianchi | 67-79 |
| Michael Field: spazi poetici alternativi attraverso ispirazioni ecfrastiche | |
| Carla Tempestoso | 80-91 |
| Narrative Form and Palimpsestic Memory in Namwali Serpell’s The Old Drift | |
| Angelo Monaco | 92-106 |
| Because the Poet: Pasolini According to Patti Smith | |
| Giulio Carlo Pantalei | 107-121 |
| Metaphors of Psychological Deterioration: the Case of Depression | |
| Cristiana Tonon | 122-135 |
| Fra ‘letterario’ e digitale: alle origini delle Digital Humanities | |
| Andrea Cuna | 136-146 |
| La rinascita della tragedia dallo spirito del blues nel teatro di August Wilson | |
| Valentina Rapetti | 147-161 |
| Alfabetizzazione di adulti immigrati: le donne burkinabé a Spilimbergo | |
| Gianluca Baldo | 162-173 |
Recensioni
| La luce e l’inchiostro: letteratura e fotografia a confronto | |
| Angelo Monaco | 174-178 |
| Spots of Time: Lectures on the English Literary Tradition | |
| Giovanni Bassi | 179-183 |
